Origin of Bharatiya classical music and its spiritual features
Sound generated through the voice or through musical instruments when the mind is in a sattvik state, is sattvik and this sattvik sound is referred to as ‘Bharatiya classical music’.
Sound generated through the voice or through musical instruments when the mind is in a sattvik state, is sattvik and this sattvik sound is referred to as ‘Bharatiya classical music’.
Before starting arti of any Deity, its non-materialised (nirgun) form is present. After you start singing the arti the materialised (sagun) Principle of that Deity gets activated and after the last alphabet in the lines of the arti is uttered the non-materialised Principle gets reactivated.
Lady seekes Miss Tejal Patrikar and Mrs. Anagha Joshi on behalf of Maharshi Adhyatma Vishwavidyalay, with a spiritual level of 61 % expressed gratitude unto Paratpar Guru (Dr.) Athavale at a function held to celebrate His 77th birthday.
Benito Mussolini who was notorious for his dictatorial rule over Italy for two decades from 1922 to 1943, once developed insomnia.
As part of the study session in the music section of Maharshi Adhyatma Vishwavidyalay in the Ramnathi ashram, experiments in music are being carried on. At that time gradually I started realizing the effects of sattvik music in comparison with Raja-Tama music on the spiritual plane
Recently a dance troupe from Raghurajpur focusing on dance forms with spiritual base, performed the Gotipua dance at Sanatan’s ashram in Ramnathi, Goa.
Sanatan’s seeker Shri Prashant Chandaragi was allotted the seva of fetching plateful of flowers for ritualistic worship. He would make unique flower arrangements when doing so.
Draw Shri Lakshmi Rangoli which is assosciated with the Principle Shri Lakshmi devi on Tuesday, Friday, on the occasions like Shri Mahalakshmi-vrat & Lakshmi-pujan
When an individual who has bhav (Spiritual emotions) draws a rangoli, it can attract 20% Devi Principle.
Rangoli is an art which precedes sculpture and painting. It is both an auspicious and a preliminary necessity in any religious ritual. It is a practice to draw Rangoli at the site of any auspicious religious ritual such as a holy festival, a religious festival, an auspicious function, ritualistic worship, a vowed religious observance, etc..