Waving a lit lamp symbolizes puja of Deity with Atmajyoti
Performing the puja of a Deity with Atmajyoti (Flame-like appearance of the soul) means performing puja in the true sense.
Performing the puja of a Deity with Atmajyoti (Flame-like appearance of the soul) means performing puja in the true sense.
During Panchopachar puja, gandha (Sandalwood paste) is applied to the Deity with the ring finger of the right hand.
Puja of Deities is an easy way of abiding by achars (Conducts) set by Dharma to facilitate regular sadhana (Spiritual practice) of a worshiper.
Preparation for a puja is truly the foundation for the ritual of puja. It not only purifies the worshipper, but also equips him to imbibe Chaitanya (Divine consciousness) that is emitting from the puja; hence, the necessity of preparations.
When drawing the rangoli for a puja, the pattern should, as far as possible, be such that it attracts the Principle of the chief Deity of worship.
Sounding of a conch at the commencement of a puja and before an Arti helps in reducing the obstacles caused by the negative vibrations in the flow of the sattvik (Sattva-predominant) waves of Deities.
While worshiping a Deity, the Deity’s Principle is created in the flowers as per the intensity of bhav (Spiritual emotion) of the worshiper.
The puja implements are at the forefront in attracting Pancha-tattva (Five Cosmic Principles) from the universe and appealing to the Deity Principle in the Idol.
A unique feature of Sanatan Hindu Dharma is the deep thinking behind acquisition of Chaitanya (Divine consciousness) through every action in human life.
A pujak (Worshipper) does individual preparation of purification through the medium of external coverings (of the body) such as the attire.